When a tragedy occurs in a person’s life that he is not ready or cannot cope with, then often the body as a system, in order to maintain integrity, goes into isolation from the external environment. Isolationism is far from the best adaptation mechanism, at least when it becomes just basic, however, it was precisely the withdrawal into isolation from the outside world that happened to the main character of the Netflix mini-series Anna (Kristen Bell), with the very multi-layered title “The Woman in the House Opposite the Girl in the Window” "(The Woman In The House Across The Street From The Girl In The Window), 2022. Anna is an artist who experienced a personal tragedy several years ago, lives alone, and essentially all she does now is drink wine, pills, read books and looks out the window And then one day, a man and his daughter arrive at the house opposite. Anna meets this family, she even begins to think that something could come of this, because she liked both the man and his daughter, when suddenly... Anna sees through her window how something terrible is happening in this very house opposite, something terrible, she calls the Police and... an even stranger and more incomprehensible story begins. Did Anna see what she actually saw, or is this the result of drinking alcohol, antidepressants, chronic fatigue and insomnia? Or maybe the result of a wild imagination, having read detective novels? In spite of, or maybe thanks to... common sense, which tells Anna that something is wrong, she begins her investigation...... where it will lead her, what she will find out, what it threatens her with and most importantly - how will it all end - you can find the answer to all these questions together with Anna by watching this series. The compact format in the form of a small number of short episodes allows you to perceive the story holistically and quite dynamically. The experience gained by Anna in this story, how no matter how strange and even scary he was, he allowed her to look into the eyes of her fear, the fear of her losses and experiences, overcoming them. If I can put it this way, Anna underwent accelerated and very radical immersion psychotherapy and found hope for herself there, as well as a new adaptation mechanism.